Alexander
Alexander the Great
conquered 90% of the known world by the time he was 25 years old. By the
time I was 25, I had conquered the entire TastyKake product line. What
did you do? In director Oliver Stone's new film “Alexander,” 28-year old
Colin Farrell plays the title character, and 29-year old Angelina Jolie
plays his mother. What, did she have the child when she was one? And who was
the father - R. Kelly? The movie traces Alexander's tear through Asia, where
he pretty much seized any country that wasn't nailed down. The problem here
is that much of the story involves people standing around talk, talk,
talking. Lots of names and locations and battle strategies get endlessly
tossed around. Listening to this movie is like having someone read to you
from a textbook. I mean, can you believe that in a 3-hour movie, there are
only two battle scenes?
You'd think Alexander the Great conquered Freeburg, not Asia. It doesn't
help that the characters are one-dimensional or that the stars overact like
there's no tomorrow. You won't find many people who admire and respect
Oliver Stone more than I, but I have a confession to make: I gave up on this
movie. By the end of the second hour, I realized that I wasn't even paying
attention anymore. The historical figure may have been Alexander the Great,
but the movie is Alexander the Boring. (1 ½ stars)
National Treasure
“National Treasure” stars Nicolas Cage as a guy who believes that there's a
treasure map written in invisible ink on the back of the Declaration of
Independence. He also believes in UFOs, Bigfoot, and hidden messages in the
Mona Lisa. To prove his point - and to keep the document
away from a bad guy who also thinks it has a treasure map - Cage plots to
steal the Declaration. Of course, a hero like this needs a blonde hottie to
help him out. In this case, she's Diane Kruger, playing a very gullible
employee of the National Archives. “National Treasure” gives new meaning to
the word "dumb." For starters, the Declaration of Independence can't be
stolen. Also, the heist is laughably preposterous. The plan Cage hatches
wouldn’t be any less believable if it involved a squadron of flying monkeys.
This story is a blatant rip-off of Dan Brown's best seller "The Da Vinci
Code." Both are ridiculous, self-important pieces of junk that try to
combine historic academia with preposterous, overblown action sequences.
Nothing that happens in this movie is even remotely possible. Nothing.
Knowing that makes it extremely hard to take seriously. “National Treasure”
is one of the funniest movies of the year. Too bad it’s not a comedy. (1 ½
stars)
Bridget Jones: The Edge of Reason
Renee Zellweger famously gained a lot of weight to star in the movie
“Bridget Jones’s Diary.” She did whatever the opposite of the Atkins diet
is. For the sequel – “Bridget Jones: The Edge of Reason” – Zellweger once
again puts on a few extra pounds to play the most insecure, neurotic British
woman
this side of Scary Spice. The film finds Bridget happily in love with her
boyfriend (Colin Firth), but unable to stop thinking that she’ll screw
things up. This ultimately turns into a self-fulfilling prophecy, which then
sends Bridget back into the arms of her sleazy ex-boss (Hugh Grant). Oh, and
she also ends up in a Thai prison for drug smuggling. That last little bit
of plot ruined Helen Fielding’s book (after all, isn’t this supposed to be a
romantic comedy?), and it nearly threatens to ruin the film as well.
Fortunately, though, the stars keep that from happening. Colin Firth and
Hugh Grant are hilarious, and Renee Zellweger is once again irresistibly
cute and adorable as Bridget Jones. “The Edge of Reason” is not as good as
the original, but it’s still worth seeing if you’re an unhappy singleton or
anyone else who hates emotional @#$%-wits. (3 stars)
The SpongeBob SquarePants Movie
Who lives in a pineapple under the sea? No, it's not Michael Jackson. It's
SpongeBob SquarePants. Although, like SpongeBob, Michael Jackson's nose is
absorbent, yellow, and porous. Anyway, Nickolodeon's most popular cartoon
character comes to the big screen in “The SpongeBob
SquarePants Movie.” The story finds the evil amoeba Plankton plotting to
steal King Neptune's crown so that he can rule the undersea world and swipe
the recipe for those delicious Krabby Patties. SpongeBob and his starfish
friend Patrick set out on a dangerous mission to reclaim the crown so that
the inhabitants of Bikini Bottom can once again safely eat Krabby Patties
and play with reef blowers. If what I've just said makes no sense to you,
then “The SpongeBob SquarePants Movie” may not be your cup of tea. On the
other hand, those of us who are SpongeBob fanatics should consider
this movie the mother ship calling us home. The film takes the kind of humor
we expect and cranks it up a notch. I laughed myself silly, especially at
the end when SpongeBob and Patrick get help from none other than David
Hasselhoff. Man, is this movie gonna be big in Germany! “The SpongeBob
SquarePants Movie” has terrific animation and more laughs than you can shake
a chum bucket at.
(3 ½ stars)
Polar Express
In “The Polar
Express,” a little boy who no longer believes in Santa is surprised to wake
up in the middle of the night and find a train in his front yard. Man,
Amtrak is really getting out of hand, isn't it? The boy hops the train when
he learns it's supposedly headed for the North Pole. On board, he meets a
kindly conductor, played by Tom Hanks, who likes to dance and sing about the
joys of hot chocolate. Sounds to me like he's been drinking something else,
if you know what I mean. The trip to the North Pole is fraught with danger,
but a mysterious hobo keeps popping up to make sure the train arrives at its
destination safely. “The Polar Express” uses a computer-animation technique
known as motion capture. It involves taking an actor's physical movements as
well as his or her voice, then turning it into a piece of digital animation.
This process allowed Tom Hanks to play not only the Conductor, but also
Santa Claus, the hobo, and even the little boy! For all I know, he probably
played the train too. If I had to sum up “The Polar Express” in one word,
that word would be "magical." The movie is packed with amazing images, and
the story sweeps you up in its sense of childhood wonder and imagination.
This is the kind of film that deserves to become a holiday classic. It's
outstanding. (4 stars)
Seed Of Chucky
Despite the fact that
he’s only a doll, Chucky has had a more swinging lifestyle than some people
I know. In “Bride of Chucky” he got married, and in the new movie “Seed of
Chucky” he has a child. You know, the idea of murderous dolls procreating is
enough to make you believe in forced sterilization, huh? When Chucky and his
bride Tiffany decide to have more kids, they hatch a plan to kidnap actress
Jennifer Tilly and inseminate her. Yeah, right. Forget Nicole Kidman, Halle
Berry, and Angelina Jolie – it’s Jennifer Tilly that Chucky wants to
fertilize. What’s the matter, Chucky? Was Estelle Getty not available? As I
describe “Seed of Chucky,” I realize that it probably sounds more
interesting than it really is. Some of the ideas are clever, but the movie
doesn’t know what to do with them. The “funny” parts aren’t remotely funny
enough, and the “scary” parts are just gory for their own sake. Personally,
if they make another of these pictures, I hope it’s called “Death of
Chucky.” (1 ½ stars)
The Incredibles
Pixar Animation
Studios has made six movies so far and they've all been winners. Pixar is
like the Ken Jennings of the motion picture industry. Their latest film is
“The Incredibles”. If ever a movie lived up to its title, this is the one.
Get this: the whole thing was
animated on a computer! Incredible! The story
is about a family of superheroes led by Mr.
Incredible and his wife Elastagirl. With names like that, I bet they had a
wild honeymoon! The family is called out of retirement to fight a nasty bad
guy named Syndrome, who is kidnapping superheroes for incredibly evil
purposes. Helping the family out is their colleague Frozone, a master of ice
manipulation who's kind of like Brian Boitano in a superhero costume. Voices
in the movie are provided by a series of big-name actors including Craig T.
Nelson, Holly Hunter, Jason Lee, and Samuel L. Jackson. The cast is even
more incredible than the fact that Paris Hilton is actually a high school
graduate. “The Incredibles” is a bit different from the other Pixar movies.
It's a little longer, its rated PG, and the story is a bit darker and more
complex. However, the things we all know and love about Pixar movies are
still there, such as lovable characters, gorgeous animation, and lots and
lots of big laughs. This is fun for the whole family. “The Incredibles” is,
well, incredible. (3 ½ stars)
Saw
“Saw” is about a
serial killer who cuts jigsaw pieces of out his victims' flesh. Well that's
one puzzle I wouldn't want to put together. The killer's hobby is creating
elaborate torture scenarios to see if he can get people to mutilate
themselves. For the main attraction, he locks two men in a dingy old
basement with their legs chained to the walls. They have six hours to
escape, using clues hidden around the room. Or, if they can't wait that
long, they can take the saw he has conveniently provided and cut through
their own feet. As you can tell, “Saw” is one sick and twisted movie. How
sick and twisted? Well, Charles Manson called it "the feel-good movie of the
year." To be honest, two hours of watching people get tortured is not my
idea of entertainment. I might have been more outraged by “Saw” had it not
been so completely and totally ridiculous. For starters, the killer has way
too much time on his hands if he's coming up with all these deranged little
puzzles. Whatever happened to the days when movie serial killers just killed
people? Why do they all have to have gimmicks now? I also objected to the
way “Saw” tries to make torture look cool, and to the twist ending, which is
unintentionally hilarious. I can imagine a good Hitchcock-style movie being
made from this material, but “Saw” is just a pointless exercise in shock
value. (1 star)
The Grudge
The Grudge” is a remake of a
Japanese horror film called “Ju-On.” For those of you who don't
speak Japanese, the title translates to "Hey, don't screw up my
movie when you remake it." Here's the premise: whenever someone dies
in a state of rage, an evil curse is born. I think this explains
Donald Trump's hair. Sarah Michelle Gellar plays an American
exchange student in Tokyo who encounters the curse in a spooky
house. Before long, she falls victim to the curse and starts being
terrorized by whatever spirit lives in the home's attic. “The
Grudge” has all kinds of disturbing images: creepy demon children,
ghostly apparitions, shadowy figures lurking in dark corners. About
the only disturbing thing you won't see in the movie is that footage
of Ashlee Simpson on "Saturday Night Live." By the way, I'm lip
synching this review. The visual style in “The Grudge” is amazing
and the scary images definitely pack a punch. What's missing is a
good story to pull us through. Only in the last ten minutes do we
learn why the curse was created, and by then it's too little too
late. In other words, the movie looks great but there's no reason to
really get involved in what's happening. The obvious comparison is
to “The Ring,” another remake of a Japanese horror film. It too had
lots of creepy visuals, but the story was strong enough to keep us
glued from start to finish. “The Grudge” is fun to look at, but the
weak plot keeps it from generating any real scares. (2 ½ stars)
Shall We Dance
“Shall We Dance?” is a remake of a
Japanese film from a few years ago. Since most of us don’t live in
Japan, most of us probably never saw it. (How’s that for reasoning?)
Richard Gere plays a man who loves his wife (Susan Sarandon) but is
generally bored with life. Every day as he rides home on the el
train, he notices Jennifer Lopez standing in the window of a dance
studio, so he goes in and decides to take ballroom dancing lessons.
And once again, J. Lo lures a man into her seductive web! Although
to many of us ballroom dancing seems about as exciting as…well,
ballroom dancing…Gere finds that doing the waltz and the tango makes
him feel like a new man. Yeah, it wouldn’t have anything to do with
rubbing up against Jennifer Lopez, would it? “Shall We Dance?” isn’t
about a Gere/Lopez romance, though. It’s about how this uptight,
bored guy rediscovers the meaning of passion, which ultimately makes
things more exciting with his wife. The plot is mostly predictable,
but the cast is terrific and the dancing is surprisingly fun to
watch. Don’t be a wallflower – accept this invitation to cut a rug.
(3 stars)
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